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Hereâs a case-in-point for why I like Caprica so much. Early in this weekâs episode, Daniel Graystone is prepping for his appearance on Baxter Sarnoâs late-night comedy/talk show, and is fighting with PR flack Pryah over the wording of his statement of contrition. He understands why his business associates need him to go public: to get the sales of holobands moving again, and to clarify that whatever involvement Zoe Graystone had with the STO, it was because she was confused and angry, not because she was obsessed with virtual reality. But Daniel hates his prepared talking pointsâ"âShould I point to my heart?â he asks sarcasticallyâ"and he hates that heâs being asked to reduce the complexity of his daughter to an easily understood narrative.
Yet later, when Danielâs talking with his wife Amanda, he reacts defensively to her criticism of his decision to go on Sarnoâs show, and essentially argues the position he was fighting against before. He even dismisses her attempt to shame him as a parent by reminding her that theyâre ânot parents anymore.â As I noted in last weekâs write-up, I find the capriciousness of Capricaâs characters pretty damned compelling, especially for a genre show. (Battlestar Galactica was similarly complicated.) The reactions and motivations are fluid, as they are in real life. We often behave differently depending on who weâre talking to.
Danielâs televised duel of wits with Sarno was obviously the centerpiece of âGravedancing,â and itâs a measure of how invested Iâve become in these characters that I was actually a little nervous when the episode reached the Sarno scenes. And Daniel didnât exactly put me at ease with his paying his makeup artist a grand to let him smoke, and then bombing his attempt at on-air humor. (âMy Solstice wish was for free publicity. I shouldâve been more specific.â) Then when Sarno goes on the attack, decrying Danielâs invention of a world where young people learn there are no consequences for their actions, Daniel gets flustered, even after Amanda rushes on-stage to try to bail him out. He confesses to his creation of the Zoe avatar, and blurts out that heâs planning to forgo all profits on holobands and v-world licensing, using that money to help at-risk teens. (See how easy it is to say something you didnât mean to say? And just how do you think Danielâs going to spin this when he faces his investors in next weekâs episode?)
Meanwhile, the war of wits between the police and The Soldiers Of The One continues, with Agent Durham inviting the press to a raid of the Athena Academy, believed to be a hotbed of STO activity. But Sister Clarice gets a tip before raid commences, and gets her recruits to clear their bombmaking equipment out of their lockers. One of those teen terrorists, Keon, is another fine example of how we often say one thing and do another, as he continues to treat Lacy like a leper in public while meeting with her in secret to discuss the possibility of setting up a meeting with STO bigwig Barnabus, who might be able to get Lacy (and maybe Zoe, in some form) to Gemenon.
As for Zoe, her screentime this week was limited, but poignant. We saw her hanging out in the v-world, watching the other kids get crazy, and then we saw her in robot form, enjoying the attention of dadâs geeky tech, Philomon, who makes admiring comments about her chest, and then programs her to dance. Dead Zoe mightâve resented Philomonâs gall and vulgarity, but Zoebot seems charmed, perhaps because of the context.
And in the other big development of âGravedancingââ"one as tense as the Baxter Sarno show, reallyâ"Joe Adama sweats his impulsive decision last week to ask Sam to kill Amanda Graystone. At first he wants it done quickly, but as Sam urges patience, Joe begins to waver. By the time Sam is working his way backstage at Back Talkâ"calling on the aid of a fellow Tauron, who steps aside and lets him pass and shows his tattoosâ"Joe is having serious second thoughts. When his mother watches Amanda spar with Sarno, she says, âI could kill her with my own hands, couldnât you?â And when Joe realizes that he couldnât, he frantically tries to reach Sam, to call off the hit.
Thatâs people for you. So damned inconsistent.
Grade: A-
Stray Observations:
-As much as I continue to enjoy the characters, the situations and the philosophical musings of Caprica, I still find some of the actual plotting abrupt. Amanda racing on-stage was an example of that. The results of that choice were exciting to watch, but the choice itself was overly melodramatic.
-Amusing transition from Agent Durhamâs boss jokingly asking him to âkeep it tastefulâ on his Athena Academy raid to a scene of Sister Clarice waking up in her communal bed with three of her spouses. Tasteful, indeed!
-Billâs grandma doesnât much care that heâs skipping school, since in Tauron culture, a boy is considered a responsible adult at 13.
-We get a hint of what might prove to be a positive influence for the wayward Bill when he admits to his grandmother that heâd like to be the Pyramid equivalent of a batboy. His dad could probably swing that with Daniel easily. As Grandma notes, âYou think you get the best things from friends? You get the best things from enemies, because theyâre scared of you.â After Sam frightens Amanda, Iâm sure the whole Graystone family knows that the Adamas mean business.
-Tauron children play jacks with the bones of children who lose at jacks. (Or with chicken bones⦠whatever.)
-âWas that sarcastic?â
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